2) Gender, Race and Ridley Scott’s Blade Runner: rescreen Ridley Scott’s Blade Runner and reread Judith Butler’s “The Subjects of Sex/Gender/Desire” and Frantz Fanon’s “The Negro and Recognition” taking the following questions into consideration: In what sense and on what grounds does Butler call gender a “performative” and Fanon call “the negro” a “comparison”? How do these issues of gender and race arise in Scott’s Blade Runner, even if only implicitly? What does this film suggest about human subjectivity when it is rendered almost indistinguishable from an automaton (i.e. the replicants)?
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